浴血黑帮第一季

竟然有个很唯美的床戏，虽然从一开始就知道他俩会在一起，但是没想到是在老警长的求婚之后（只能说在墓地求婚，是我对编剧最大的敬佩，把热爱公安事业、为人民群众的利益奋斗孤生的工作狂，就不配拥有一点点浪漫吗，而且还要在被拒绝之后，带着自己的手下大闹情敌场子，却被一个酒保羞辱，甚至亲眼观看了暗恋对象和情敌的窗前好戏。。

），男主光环战胜了法制社会，私营企业战胜了国营兵工厂。

黑帮冷酷无情，警察无理取闹，但令人欣慰的是，鸦片的力量终被爱情克服，战后创伤被感情修复，原来在赚钱面前，爱情只是修补疗伤的工具。

热爱工作的老男人哪里不好，要被这样发配救火直到孤零零的去和丘吉尔面基吗，那么大一颗钻石，还是不敌小鲜肉触及灵魂的一句“so you've seen me...”，只有当共同的爱好不是为了工作的时候，老男人才配拥有爱情。。

这部剧就叫它《老男人不配拥有爱情》，哈哈哈哈

从第一季看到现在，每个人物都深入我的内心世界，但是我想聊的，不是你们所熟知的那个充满肮脏的世界，我所看到的是乱世之中的一方净土——养马人，科利。

从第一季到现在，他的出场应该是所有人物里面算少的一个，但是他带给我的震撼却绝不亚于那几位主角。

当梅来取马，科利将马交给汤米时，他说：“don’t like them racing,Tommy.not the way they beat them.”这个被称为上半身就是匹马的滑稽男人，讲话偶尔口吃，尤其是在开心的时候，但每到与马分别，他流露出的那股悲伤是发自内心的。

他作为一个小人物，很幸运的跟对了家族，尤其是这样一个充满人情味与烟火味的家族。

在亚瑟与约翰炸毁火车后的那个家族会议上，当我看到科利也出现在会议上，而且对钱没有丝毫意思的时候，不知道为什么就鼻头一酸。

是对汤米对家人重情义的感谢，也是对科利善良、努力的肯定。

很多时候他说话口吃会被打断，谢尔比家族的人总是用脏话善良温暖的打断他，他总是笑笑。

当那两个意大利人被汤米用血亲复仇的方式杀死后，科利负责运送他们的尸体到郊外掩埋，他在登船后只有一句话：“汤米，记得叫查理给我留一些鹅肉，谢啦。

”，在那个时候他索要的还仅仅只是圣诞节的一份鹅肉那个憨厚的外表与诚恳的口气竟让我当场泪目，我不知道为什么，约翰死的时候我都没有哭，但是科利在船上讲这句话以及后来梅又来取马的时候科利的表现让我绷不住。

也许就是这一点乱世之中残存的无私的善良照亮了谢尔比家族前行，科利有许多令人无法理解的行为，正是这些在外人看起来傻子干的事情，才完美的塑造了这样的一个角色——爱马如命的善良小科利，一个憨厚、忠诚、真性情的科利。

谢尔比家族最后都结局无论怎么样都是既定的，但是我却希望科利可以永远幸福、开心的活下去。

汤米说过：“死亡是一种仁慈。

”但我却希望仁慈的科利永远不要死亡，这份精神与光芒，将照亮整个伯明翰，照亮整个英格兰，并随着谢尔比有限公司的对外贸易，直达远洋之外。

故事就算到了终点，科利的那份温暖却会永远留在世间，约翰走后，汤米说：“他只是不在了，和格雷斯一样。

”是的，就算故事发生在一个世纪之前，科利也早已走远，但那又如何，他也仅仅只是不在了，他的那份善良将永存不朽，生生不息，不为别的，就因为By order of the Peaky Blidners

電視劇木有評論區，那發這裡好了。。。。。

http://www.bigissue.com/features/interviews/3014/cillian-murphy-interview-story-working-class-people-look-sexyCILLIAN MURPHY INTERVIEW: “IN THIS STORY THE WORKING-CLASS LOOK SEXY”INTERVIEWSLAURA KELLY SEP 18, 2013Peaky Blinders' Cillian Murphy talks Brummies, Batman, and why he doesn't use TwitterWe have entered the third golden age of telly. Kevin Spacey hit the headlines recently using the phrase, GQ writer Brett Martin has a new book out, Difficult Men: Behind the Scenes of a Creative Revolution, on the topic and critics around the world are chattering about it.The Wire, The Sopranos, Mad Men, Breaking Bad, Boardwalk Empire: a (mostly American) wave of ambitious dramas has shown that telly is now smarter and more ambitious than cinema.Peaky Blinders, created by Dirty Pretty Things writer Steven Knight, is among the best of the British attempts to compete with these monolithic super shows. Playing like a Brummie Boardwalk Empire and similarly set after the first world war, it follows Cillian Murphy’s Tommy Shelby, a gang leader who’s just returned from the trenches damaged and still in possession of his gun.In a Birmingham that was at the time a major centre of industry, he finds himself jockeying for position alongside Communists, the IRA and a particularly ruthless Northern Irish police chief (played with vigour by Sam Neill). Favourite of both Danny Boyle and Christopher Nolan, Cork boy Murphy has become a proper Hollywood celeb in the last few years, but he insists that choosing a BBC Two mini-series for his next job is not as odd as it seems. Peaky Blinders fits in just fine, he says, beside 28 Days Later, Sunshine, The Dark Knight and Inception.Peaky Blinders is a project that has clearly captured Murphy’s imagination; he spent hours listening to archive recordings of Brummies to get the accent right, as well as thoroughly immersing himself in the period. It also allowed him to stay close to his house in north London, his wife, artist Yvonne McGuinness, and his two young sons, seven-year-old Malachy and six-year-old Carrick. It’s from the kitchen in that family home, sustained by a cup of Barry’s Tea (his favourite Irish brew), that he’s speaking to The Big Issue…Tell us about your character in Peaky Blinders.Tommy’s been sent home from the trenches. These men came back and they were just spat out into society without any help. Most of them had lost all time for the establishment and the authorities and the church and everything else. They were damaged men. Then they came back into a society that had been run by women for four years.The obvious comparison is Boardwalk Empire, given the era…I unfortunately haven’t got round to Boardwalk Empire – it’s one of my box-sets that I’ve yet to unwrap. I think it’s impossible to make a foray into the gangster genre without rubbing shoulders with the American classics, like The Godfather, Bonnie and Clyde and now Boardwalk Empire. You’ve just got to wear those references openly. What we’ve tried to do here is create something very British.Birmingham at the time was the industrial capital of the world. It was producing more than Chicago and Detroit. Illegal bookmaking was huge all over Britain. It was run by gangs and there’d be pitched battles with guns and knives. It’s never really been investigated dramatically. Steve [Knight] had this whole block of history to play with, so it’s very rich. I think that separates it from the American stories. It’s refreshing that this is a story where working-class people look sexy and glamorous and stylish. Generally it’s the upper middle class and the aristocracy in British period dramas.It seems like all the big Hollywood stars want to get involved in TV at the moment.I definitely think that for writers, having the scope of six or 12 hours to tell a story must be so alluring. Also for me to be able to really investigate every corner, to shine a light into every nook and cranny of the psyche of a character is great. People have talked about it being the equivalent of the novel and I can see why that comparison fits. It is a golden age for TV. It’s clear it’s happening, so you’d be silly not to get involved. TV seems to be filling that place in cinema where clever mid-budget, independent films have been pushed out a little bit by the big franchise, tent-pole movies.Big franchises like Batman?Well, yeah… [laughs]. I would consider that a slightly more, um, intelligent rendering of the superhero genre.How did you find the Brummie accent?It’s not among the most beloved out there. The Birmingham accent and Birmingham itself hasn’t been fashionable for a while. In terms of the accent, we listened to a lot of archival tapes. My remit was to make it as authentic as possible but also as accessible as possible. Birmingham will deliver its verdict.They can’t be too unhappy – you’ve made the place look a lot cooler than usual.I really hope so.The soundtrack on Peaky Blinders is really striking, featuring Nick Cave, The White Stripes and Tom Waits. As a big music fan, was that exciting?I was thrilled. It was great to know that those guys actually watched it and liked it. There’s something about those artists – an outlaw quality – that really suits the show.Been to any good gigs recently?I’m going to see Björk in a couple of weeks. I saw Alice Cooper in the desert in Albuquerque. He has a lot of energy for a man of his age.Is it harder to get to as many gigs as you’d want now you have kids?Yeah, it is kind of hard. Some things you’ll move mountains to see but, you know, you get old and at a certain point you think, God, I’m awful tired. I didn’t used to have that in my twenties.You’re a bit unusual in the celebrity world in that you don’t use Twitter.No, I don’t do that. I remember the pre-internet days. I remember when you just met at an agreed hour at the bus station. And if someone didn’t show up, you’d just stand there and wait. You’d give them 25 minutes. This immediacy that we expect now, it’s spilled over into film and everything. I mean, ‘spoilers’ – surely the clue is in the word? To spoil something is to ruin it.So do you Google yourself?You know, you’re a liar if you say you haven’t. But I really, really try not to do it because it’s bad for you. Human beings, the way we’re wired – or maybe it’s just an Irish thing – but you never believe the good stuff. You just believe the bad stuff. It can be a negative forum, the internet. I try to stay away from it as much as possible.You may be right. I actually ran into an entire blog someone had set up dedicated to unflattering screen shots of you.Isn’t that lovely now? What a way to spend your time and express your creativity. That’s the world of the internet.The IRA makes an appearance in Peaky Blinders – and you’ve dealt with similar themes before in The Wind that Shakes the Barley. It’s still emotive territory – the director of new film A Belfast Story had to apologise after the film’s PR company sent a bala-clava, nails and duct tape to journalists. Is there a responsibility to have a bit of sensitivity?Of course there is. If you’re dealing with political or social issues, you have to be mindful of the people who have lived through it. The version of the IRA we’re dealing with is almost 100 years old and it’s very different. Similarly in The Wind that Shakes the Barley, so I think it’s fair game. But [The Troubles] are always going to be rich for drama. It’s all about how you tackle it. That’s obviously an example of not a very sensitive way to promote a film, but I thought Hunger was a great example of a film that was sort of about Northern Ireland but it was also an art film.Last time we spoke, you were telling us about being a vegetarian and a good cook… have you been watching Great British Bake Off?No. I haven’t got into it. I’m a MasterChef fella. And I’m actually a lapsed vegetarian.When did this happen?About a year ago. I felt I needed some meat. I had some venison. It was amazing. My body was like, yes! My wife’s still veggie but the boys eat meat. We’re a very tolerant household. I do sometimes have to cook two dinners, though.Did you hear that Christian Bale was apparently offered $50m to reprise the role of Batman in Man of Steel 2? [Before the role went to Ben Affleck].I wouldn’t believe what you read about that stuff.It’s a testament to how much of a cultural touchstone that series is that people would believe it. Are you glad to have been part of it?Ah, yeah, I was very lucky to have been involved in it. I didn’t expect to pop up in the second two either, so that was a nice little treat.Is there a superhero you’d like to play?Surely they’ve nearly exhausted them...They didn’t ask you to be Doctor Who?No. Did that change hands?Peter Capaldi’s taking over.Oh, brilliant. I love him. That’ll be amazing. We don’t watch it – Doctor Who has kind of passed us by in this house. But maybe we will when Peter Capaldi’s in it.What is next for you?I’m going to shoot this Ron Howard film in September, In the Heart of the Sea. It’s the true story of the sinking of the Essex by a whale. It’s the story that Melville based Moby Dick on. I read the book in my twenties. I loved it. I mean you have to work at it, there’s a lot of going back to the appendix, but it’s a cracking, cracking book. I read it on holiday before we had kids, so I had a lot of time to lie down. I don’t have that any more.

格蕾丝自从来到酒吧，tom的计划频繁泄密，谎称有多次酒吧工作经历，tom明知道却不怀疑？

在酒吧隔间商量的密谋没有一件成功，tom那么聪明反应不过来是什么原因？

第一次套亚瑟的话，码头的违禁品被找到。

第二次套亚瑟的话，丹尼身份暴露，tom没发觉不对？

酒吧刚装上电话，妹夫就被警察带走，家人纷纷质疑tom，tom就没想过调查一下是谁泄的密？

长得好看的女卧底就不是卧底是吧？

只要男女主亲一下抱一下就可以啊啊啊啊磕到了，不需要在乎逻辑是吧？

一部莫名其妙的剧，总体而言不是男主特有本事可以总是一副大哥样，而是纯粹为了耍帅而耍帅。

1，总体方向莫名其妙，本以为天才领导者，要不耍的大家团团转，要不两天才演对手戏，好似又可以看到福尔摩斯同莫里亚蒂版的天才与天才间的对决，结果除了前两集男主智商是在线的，后面的几段莫名其妙，最后居然变成了两个男人的苦情戏。

2，角色设定莫名其妙。

本以为男主是个狠角色，所以有能力做独行侠，结果酒馆被两个买枪的爱尔兰分子血虐成那样又是几个意思？

警察放狠话威胁汤米快点，男主角只敢拿着枪在后面抖半天，迫于形势顾全大局，我忍。

第二部独行侠见爱尔兰反抗组织头目你一个人出来发什么火呢，除了嘴巴上威胁也没什么别的本事了？

3，姐姐情趣莫名其妙，艾达老公被抓，明明是男主姐姐办事不力（心软没把妹夫驱逐出去，告密揭发设计赶他们走，明知妹妹应该打胎还要跟男主一闹），到头来还敢把气撒在男主头上，特么的你有什么资格吐口水？

4，妹妹情绪莫名其妙，自己老公被抓心里没点数么，莫名其妙怪你哥还要别人救他你才原谅？

出生在这个家庭第二季还莫名其妙的以这个家庭为耻，白瞎了大家一直对她的保护。

5，男主脑回路莫名其妙，明知女主不可信，一而再再而三的问问题，还经常旁敲侧击，、哥哥靠不住所以男主什么都不会告诉他，还重用，丢枪的时候就该猜到了，居然毫不在意，上一秒在逃命下一秒睡完女主安慰哥哥，自己怎么活下来的心里不嘀咕？

一开始还以为大智若愚，眼观六路耳听八方的男主故意设的局，结果，真的挺打脸的。

6，剧情发展莫名其妙，丘吉尔说的很明白，一支枪一颗子弹都不要丢，结果少了一杆枪还天知道少了多少子弹，没事，莫名其妙的就不在乎了，这是个什么剧本啊？

7，苦情戏莫名其妙，老头子故意抖出了女主重功，意图我得不到你也别想得到，还铺垫性的我有一个想法，结果更是莫名其妙，好好一个黑吃黑，肯波良心发现给了一枪就笑呵呵的回头聊天去了，男主一枪爆头，铺垫一集的大危机1分钟结束，男主完美不在场证明，老头子一脸懵逼，神剧啊。

8，配角三观莫名其妙，警察局话最多那个我们就称之为小队长吧，一开始被说成是收人贿赂的黑警察，结果渐渐的老头子弯了，小队长居然神反转大谈正义，既然如此你第二季收什么钱啊，你不是从新领导的演讲中看到了曙光，早已讨厌透了这个腐败之地了么？

9，村民三观莫名其妙，酒保突然冒出告知男主并不生气酒吧被夺，为什么，因为我们觉得你的狠是为了保护我们，简直莫名其妙，警察局长第一集可是说这破地方3先令就可以骑一个十几岁的少女，很多人无家可归，偷窃，杀人，强奸无处不在，酒吧的酒都是几乎都是偷来的，怎么就变成了为了你们而狠？

既然汤米是为了家庭，为了大家而狠，怎么第二季第一集男主姐姐又是一脸厌恶？

弟弟怎么又不服扩张？

哥哥怎么又一副狠相？

全剧总体给人感觉莫名其妙，第一季看完至少我很难坚持继续看第二季，音乐，服装，电影版的制作可以肯定，但是让人印象也就像我说的，为了帅而帅的剧，也就开场插着口袋走向酒馆的那幕让人印象深刻罢了，第五季，我是没兴趣刷了。

看到网上一堆人都在骂Grace，还是挺费解的...我真的挺喜欢她的，尽管她间谍当的很差，而且Tommy一直都没发现导致最后机密泄露，但是看到他俩相爱我真的！！！

开心爆头！！！

感动的一把鼻涕一把泪！

Tommy战后PTSD+家族生意，他就一直把自己封闭起来，后来终于Grace出现了，来感化他救赎他和他交流（尽管Grace是间谍带有一定目的，但这也是剧情这么编的，如果搞成色戒内样有点太杀人诛心了），终于能看到Tommy温柔的一面了，真的十万个开心呜呜！

第一季结尾，很多人都说Grace还不如死了算了，这肯定是不行的。

如果Grace死了后面就没法编了，毕竟Grace和Tommy是Tommy唯一一条真正的正常的感情线（哈哈伯明翰炮王炮太多，只能用正常来形容），编剧应该也是希望这条线能够长久一点，这样能引出更多故事（毕竟dei有个正宫hhh）。

但是，从另一方面说，Grace是肯定+迟早要死的。

从开头来说，他们俩就代表了两种完全不同的个体。

Grace有贵族气质，美丽优雅，和Tommy是不同的阶级，讨厌战乱希望和平的家庭生活；但是Tommy毕竟家族领袖，黑帮大佬，再加上第一季后家族产业越来越大，p事也越来越多。

Grace一直希望他金盆洗手，别一天天打打杀杀的，但是tommy心里有宏图有野心，这也是他们俩侧面的一个矛盾。

所以为了让这部剧能继续下去讲peaky blinders，只能把Grace写死了。

而且Grace死的时间也很巧妙，正好可以“引出下文”，后面的故事就更加顺理成章。

一直说Grace是Tommy的白月光，我一直觉得白月光这个词很俗，但是想想好像又没有其他词比白月光更好形容Grace在tommy心中的位置。

正是Grace初来乍到那么阴暗的伯明翰，与一切都格格不入，才会让Tommy产生感情。

我觉得Grace这个角色设定是不错的，不仅仅是Tommy的白月光，更是整个剧中以黑帮、社会黑暗为背景的一点白吧。

那么多人喷Grace的一点原因就是演员演技问题了，我真的搞不懂为什么她永远一个语调一个感情说话，不管是和谁，而且面部没有啥表情。

当个间谍感觉轻轻松松没啥事一样，一点不紧张，实在是有点受不了。

当花瓶吧，第一季还挺好看的，到第二三季整容后脸就僵了，加上化妆造型后真的看不下去了...如果演员选的好一点，Grace这个角色会更加立体。

作为伯明翰炮王，一个grace肯定是不够的。

May也就罢了，单身+为了生意，追到Grace后也分的彻底（炮王的纯情人设也没塌），女公爵也罢了，为了生意和疯批俄国美女搞一搞也蛮刺激的。

最让我百思不得其解的是Lizzie？？？

第一季你弟要娶人家的时候你说人家是whore是prostitute，觉得家族掉面子，8英镑给人家打发了，结果这么快自己就娶上了？？？

Shelby家族日常真香技能。

后面几季没看全，但是更尴尬的一点是基莲175，Lizzie演员也175....哈哈哈哈感觉Lizzie比Tommy还壮嘞。

怎么说一个黑帮大佬的上位正宫是一个服务过自己多年的whore（也服务过其他n+1人）都有亿点说不过去，但是后来想想，Lizzie是内个时代的产物，生活在战争后的平民窟，只能卖身，所以她懂得peaky blinders，她能融入这个家族，她支持并且理解Tommy，而Grace不能。

Tommy最爱的是Grace，因为她能给他别人都给不了的温暖，他不会再失眠做噩梦（第一季他俩船戏那里真的好绝，爱死了❤）而且grace也是唯一一个能和他平等交流的人，从grace出现到最后一直都是。

相反娶Lizzie就有点像走形式，whore转型所以Tommy对Lizzie说话一直都是高高在上，哪怕到最后，Tommy自己也承认he paid（呜呜卑微打针机）或许像是Tommy这样的黑帮大佬可能注定没有办法得到真爱，因为她们随时都有生命的威胁。

或许我们希望生命中最美好最纯粹的东西能够永恒，但是它们却总是昙花一现，正因为如此才使我们那么向往吧。

难看的要死，啥踏马剃刀党，跟铜锣湾浩南比差那好几个东星乌鸦的感觉，就这几个货色就黑帮了！

众所周知，出来混，要么就是人多，要么就是钱多，看了半天只发现剧里只会一个劲鼓吹那三兄弟，好像天神下凡，无人能敌的感觉，咋的，以为是李小龙转世，我要打十个是吗？

看的我都要笑死了，最搞笑的是结尾那集：谢尔比想要联合李家去灭掉肯波，被肯波知道了，反而开着两卡车人来找事，怎么？

肯波傻的吗？

既然知道你要来偷袭，我大肯波安排个陷阱，来个一网打尽，全部包围不香吗？

再说你好好看看，就那什么谢尔比家族才几个人，人家肯波多少人，我犯得着跑你那破地方去寻仇，放着我好好的三室一厅大办公室挣着大钱不香，非要去争你那点破地方？

也罢，即使肯波无脑，也不管他是咋无脑还掌握这么大生意的？

那么我既然去寻仇，我是不是懂得擒贼先擒王的道理，咋的，我咔咔几枪，对面领头的没解决，就不管了，回过头来跟兄弟们先嘲笑别人一波，最好能气死对方！

看到这一幕，当时我脑海里一个画面：肯波开枪后，高兴坏了拉着旁边自己人一起跳着舞庆祝打死了谢尔比！

大概场景就像周星驰电影《功夫》里的那样！

斧头帮干完活，老大领着一群人拿着斧头跳舞！

哈哈，那就成喜剧了！

可不对啊，这踏马是黑帮严肃帮派剧啊！

哪能 这么演呢？

要不然我说导演就是一个劲鼓吹三兄弟。

把肯波最后演成了个有勇无谋的傻子，活该谢尔比胜利呗！

最后肯波被谢一枪打到脑门后干掉，然后诡异的又来了，肯波带的兄弟，屁也不敢放一个撤了！

这又让我纳闷了，大肯波这么大的实力，居然没有一个可以帮他出头的小弟！

哦，原来肯波混的不是黑道，而是工地，两卡车人都是工地两百块请的农民工来撑场面的！

那踏马既然这样，谢尔比早就能轻而易举干掉肯波，还费劲巴力的联合这个那个，又苦心竭力的巴结肯波干哈！

我谢尔比要，你肯波给就完了！

因为我才是黑帮，而你肯波只是包工头！

滑稽不？

相当滑稽了！

总之就是，没有最尬，只有更尬！

http://pureage.info/2014/01/18/peaky-blinders.html这是一部BBC出品的黑帮剧，第一季只有六集，每一集时间大概一个小时。

我连续看了两遍。

这部电视剧，有下面一些地方可以说道说道的。

这首先是一部黑帮片，但其中并没有多少黑帮火并的场面。

有且仅有的几场火并戏，与以往我们看惯了的黑帮剧，简直是小孩过家家。

但美轮美奂的音乐和画面，让我们在观看的时候会忘了这一点。

也许等每一集看完后，你会冒出一句，不就是几个人打架吗，有必要搞的这么文艺范吗？

浴血黑帮讲述的是一个战后归来的年轻人，如何带领小小的家族势力在复杂的局势下生存与崛起的。

虽然在他们的片区内，每个人都对他们噤若寒蝉，但客观的说，他们的势力确实很弱小。

这些势力涉及到警察代表的政府、神秘的爱尔兰共和军、同样是家族势力的李家以及拥有合法身份的，更高层次的黑帮头目金波。

他们的势力弱到什么程度呢，如果不是老二汤米当家，换做其他任何一个人，上面的任何一个势力都可以轻而易举的灭掉他们。

毕竟就那么几个人而已，甚至连还是儿童的小弟弟也在跑腿。

所以，他们虽然可以偏安一隅，只管自己的片区，但这样下去被警察灭掉或是被黑吃黑是分分钟的事情。

那么汤米都有哪些过人之处呢？

不外乎这么几点，心思缜密，够狠。

但从方法论上来讲，我觉得最重要的一点是，不能把鸡蛋放到一个篮子里，或者说，不能让自己只有一根救命稻草。

由于无意中获得了一批政府的武器，浴血黑帮受到了警察的严密关注。

他既没有将其作为一个烫手山芋急于出手，也没有在上面孤注一掷，而是权衡利弊，将其作为筹码等着某天能排上用场。

为了达到将自己的地盘扩大化，生意合法化的目的，他故意得罪李家，取得与金波合作的可能。

一旦与金波联手后，又迅速再次与李家联合，绊倒金波。

每一步都走的深思熟虑，都能将自己的利益最大化。

这样的情节，是无需要大的动作场面来支撑的。

最后再提一下，配乐实在是太赞了，光是听听音乐，都够让你把它看完。

1.打着父亲的名义去做卧底，结果爱上敌人，背叛了领导2.爱上了敌人却出卖敌人。

完成找木仓的任务无可厚非，杀了tom其实都理直气壮。

可她偏偏要在妹妹生产的当晚出卖妹夫。

3.口口声声真爱tom扭头就结婚了。

背叛×34.结了婚一个电话就去见耳聋的姑妈了。

背叛老公。

理由是真爱。

我没骗过我老公，你可别瞎说啊，甩耳光。

就是一个打着淑女 气质 有教养 伟光正 真爱 正义等等旗号，一直端着劲儿端着，但实际上干尽了所有连有点职业操守的x工作者都不屑去干的事。

这人设，已经不仅仅是下面那点事儿的问题了，是人品有问题。

简而言之，就是又当又立，茶b典型。

全剧只有警官那句whore，最配得上她。

如果她第一季就死了，可能还没那么讨厌。

如果她没有再婚，一直期待重温旧情，那好歹是个真重感情的人。

如果她再婚以后老老实实的，跟tom以礼相待，那还能叫从良。

如果她说完木仓的事没有出卖妹夫，或者在别的日子送妹夫进局子，又或者她完成任务深藏功与名再动心也没鼓掌。

她都会是一个伟光正值得人喜爱的人物儿。

毕竟同样干传统文化意义上whore事儿的女的这剧里有的是，未婚先孕还要私奔的妹妹，出卖肉体给老头换儿子出狱的姑妈，职业就是躺着挣钱的栗子，甚至那个中国姑娘。

你就说说，有哪个能比她grace更讨人厌吧。

所以，真不是下面那点儿事儿的问题。

我个人，对女性，没有荡妇羞辱的癖好。

可编剧偏偏塑造了这么个，说名媛贵女不贵，说干练潇洒女特工又不行，说单纯白花又狠毒随便的角色，真，啥也没弄好。

（仅针对grace不上升演员）

1Nick CaveZanstraNick CaveMartha's DreamNick Cave & The Bad SeedsRed Right HandThe White StripesI Think I Smell a RatThe White StripesSt James Infirmary BluesNick CaveQueenie's SuiteNick CaveSong for Jesse2The Samphire BandTough CallThe RaconteursBlue VeinsThe White StripesThe Hardest Button to ButtonNick CaveProposition #1The White StripesBlack MathGiacomo PucciniVedi la Ma Guite Lo Stendo A TelGiacomo PucciniLo Tenni La PromescaNick Cave & The Bad SeedsBrother My Cup is EmptyThe White StripesLittle Room3The White StripesWhen I hear my nameNick Cave & The Bad SeedsAbbatoir Blues4The White StripesI fought PiranhasTom WaitsClap handsThe RaconteursBroken Boy SoldierNick Cave and Warren EllisMartha's dream5The White StripesBall and BiscuitThe White StripesLittle Cream SodaNick Cave & The Bad SeedsGod is in the HouseTom WaitsTimeNick Cave & The Bad SeedsBring it on6Dan AuerbachThe ProwlJack WhiteLove is Blindness