爱情我你他

一层层嵌套图片的VLOG 制作人，拼贴画小红书种草博主，标点符号拼图大师，把性骚扰的话帖在玻璃上的油腻男人，一摁就说我爱你的相框，照镜子时才会能读出来的自我鼓励的T恤，路上的金鱼，敲击金属杆的硬币在智能手机并未普及的2005年，一件件物品像今天的一个个app 人和人之间建立连接的方式既陌生又熟悉。

每个人手头都有着他们正在玩弄的东西这其中唯一孤单的人是男主角，他在开头的时候玩火失败，被自己试图控制的媒介所伤害，从此手部受伤，难以跟其他任何事物发生联系我没看懂他们每个人为何在一起，也不敢确定他们产生了什么人物转变，好像那些也不是重点，我或许应该感受这一切作为一种vibe它并不试图告诉你一个很容易共情的关于爱情或者是生活的真相，没有金句或是绝对安全的浪漫氛围，我只是感受到了一群人存在在2005年的方式有天下午我一个人开着车迎着夕阳，磕磕巴巴地放声唱着一首老歌，我觉得这一幕荒唐蹩脚的歌声和夕阳的光线放在一起像是一个值得被记录下来的片刻，但我又懒得解释那种诗意前因后果。

The beauty of this film is formed by its sentimental conversations and the idiosyncrasies in its characters. Through each scene, we can feel a lot attention the writer paid to life and humanity. After I watched this film, I realized the most touching things are actually happening in life itself, rather then hero stories, the matter is have you ever paid attention to life? Have you ever tried to record the subtle things into your brain? It gives me a idea to make films out off my personal poetic memory. If I want the audience to be touched by your story, first of all, I have to be touched by the story. And then think about in which way, I can address the audience’s attention to the situation where I’ve been touched. It has to be down this way, if I don’t even know how it does feels like to be in the characters situation, how could I make a good film to describe the story in a believable way? What is really important to a filmmaker? Sensation of life I would say, techniques stills changed quickly following the time, but the spirits of film has never changed, that is the story of life.There's one scene in this film that I felt is unforgiveable, When Richard and Christine first time walked down the street, outside the department store, after Richard finished his work, they took the street they were walking on as a metaphor of a romantic relationship. The conversation between them was very sentimental, through which they sounded out each other’s expectation of love and built up further impression of each other.Themes that make a fresh characterHope/Dream/Goal1. Making the audience sympathize with the characters;2. Actualizing the characteristics of each character;3. Motivating story progresses.Every character has her/his dream in this film. Christine wants to build up a relationship with Richard, and she also wants her video art to be exhibited in the local museum. Richard wants to have a closer relationship with his children, and have a complete family life. The girl next door wants to build up a warm family in the future, so she kept all her household applications in a hope chest. The lady in charge of the museum wants to find a lover through internet. Two “lesbian sisters” want to discover sexuality.Different linguistic expressionAnother spot light in this film is clever and original dialogues, which makes the film so fresh and delightful. It also develops the characteristics of each character.“You think you deserve that pain, but you don’t.”“I want to poop back and force. ” ))<>((“I’ll poop in your butt hole and then you will poop it back into my butt hole and we will keep doing it back and forth with the same poop, forever.”“Iceland is kinda like that point in a relationship you know, where you suddenly realized that it’s not gonna last forever, you can see the ending side” “yea, but we are not even there yet. We are still at the good part. We are not sick of each other yet. ”These wonderful dialogues are impossible to be written in a short time. They are sometimes collected from life experiences, sometimes inspired by life experience. Accumulation is very important for an artist, especially for people wants to write scripts.

男主角：满脸皱纹。

分居，带俩孩子，均是男仔，但基本都不搭理他。

男主因不能挽回婚姻而自焚，也就是烧自己的手。

有点胡闹，不过他手好了之后，揭开纱布的瞬间我发现，他的手很美。

他的工作，在百货公司卖鞋。

女主角：“老人的士”的出租司机，实际身份是爱好艺术的自由份子，经常在家倒腾一些艺术作品，从未发表过。

她在创作时，称自己处于“撞脑阶段”，而且她的创作周期并不短。

相遇：女主角陪老人去买鞋，遇到男主角。

男主角出于职业习惯，想多卖一双，顺势让女主买鞋。

女主说，我买鞋不好买的，脚后跟经常磨破。

可能是我的脚后跟长得太低了。

男主安慰：没人必须忍受这样的痛苦。

就这么着，女的喜欢上男的。

主动接近男，被赶下车。

不死心。

后来又去百货公司，临走掏出名片说：如果有一天你老得开不动车，可以找我。

当然女主的不死心还表现在积极把自己推销给艺术展览馆的人。

最后可想而知，女的得到爱情和展览馆对她的肯定。

其中有个小女孩，肚皮圆滚滚的，大大的，经常微皱眉头。

长的不漂亮，且不是那种从小就钻研打扮的女孩，但却从小就开始给自己准备嫁妆，名为“嫁妆箱”或“愿望箱”。

里面是她攒钱买的各种东西，以送给未来的老公和女儿。

这就是影片比较小做作的地方，有点装可爱。

但也不必较真，这是可以原谅的装嫩。

至于其他的，恩，配角们都挺可爱。

由于男主的两个男仔，见到爸爸几乎不说话。

气的爸爸说，你们都不理我，没关系，我跟你们在一起就当参禅吧。

他们还是照样不理爸爸。

不过这并不说明没有爱。

不说话一样可以怀抱各自的困惑和希望，陪着对方无言地生活下去，互不打扰，挺好。

Rarely have I come across films have electronic music as the backbone for their acoustical component. So when I watched Miranda July 's Me and You and Everyone We Know, it was for me some kind of pleasant surprise. You may remind me some other films feature quite a lot of cool music, but I think there are not much equivalent to the tranquility effect the music created here. Too often people employed electronic music in their films the ones they chose are quite up-beat or I will just simly put it as the "cool" category. Though I should admit perhaps this kind of romantic comedy seldom triggers my viewing impulse and that makes me fuss here.Me and You... can not be appreciated if you are looking for some big stories or abstract allusion or fancy jump cut or whatever characteristics would increase a certain kind of people's adrenal secretion. It has no grandiose thesis or ambition, but the aspiration to explore the ambiguous distance between me and you and everyone we know, if to say, everybody is an island.Its moments of cuteness might remind the audience films like Amelie, but Amelie's extraordinary imagination is replaced by a sense of reality, which creates an intimate distance to the audience. Btw, I could not care less Yann Tiersen's music.The first set seized me is when July was driving her cab with her customer, they found that a goldfish ( in a water bag) had been forgotten leaving on the top of its owner's van and they tried to save the goldfish's life. Theoretically speaking, the only way to save the fish is keeping the vehicle a steady speed. But it come out they could not make it despite the effort. Why this scene caught me, with such a seemingly hypersensitive cutesy tone? Because I know July! The woman show a terrible lost look when their effort was in vain. Not much girls act in such an eccentric way, which you could examine again and again throughout the movie, and they are my friends.To apply Michael Andrews's music is quite a smart move. The first artist got in my mind is Michel Redolfi, who is addicted to making "underwater music". And at the very beginning, the actor burnt his hand intensionally (and mistakenly), the world was mute and the music got start, which appears to me just as something happens underwater or, otherworldly. Andrew's music has an ambiguous atmosphere, which in line with that of BOC or my recently listening Freescha, is something you could call isolating and bleak and attracting and warm all in the same time. They are in one, so are the interpersonal relationships the film tries to present.

谁能告诉我里面的配乐是谁的？？

很喜欢女主角的衣服和声音记得当中她把录影带寄给艺术馆那女娃的时候最后录的那段话真是搞笑哇但是又有点小心酸小泄气小愤慨小爽楼上的说的没错这是一部自己去看去体会的电影同学们去看了再说吧gogogogogogops 结尾很美最近爱上逆光的摄影 美！！！！！！！！！

生活中的尴尬和笨拙，放在轻巧灵动的眼光下，可以如此动人。

错放在别人车顶上小金鱼终究还是因为一个刹车掉下地面。

之前女主角把车开到别人前面，“护送”着后面的车子匀速行使，好让金鱼稳稳呆在车顶上。

那个时刻我觉得她像个天使。

独自生活的男子，在家门前遇上放学回家的两个十七岁少女，高兴地和她们打招呼调笑。

之后每天在朝街的墙上写些调戏那两个女孩的句子，等有一天两个女孩子拍他的家门要跟他见面时，他却慌忙躲在墙上不让她们看见。

他的内心，一定是又害怕又兴奋吧。

两个女孩找男主角十二三岁的儿子做评判，谁的嘴皮功夫更厉害。

男孩听话地做了测试对象，结果；“我分不清你们两个。

”像是儿童之间简简单单的一场游戏比赛，眼里只有事情的本身，再没有其他。

这就是心无杂念的单纯吧。

男主角离婚后回去看前妻，却看见她穿著一件大大的睡裙，上面写着“I'm a precious wondrous special unique divine rare valuable whole sacred total complete entitled worth and deserving person.” 一长串的形容词竖着爬满了整件衣服。

失恋的女子，和网友在网上聊着自己的身体，约出来见面，却发现对方是个六七岁大的小屁孩。

她惊愕地吻了他一下，匆匆离开。

这个尴尬成了她的数码设计创意，意外的灵感和解嘲。

还有好多的细节我都想记住。

平常情景进入了电影之后，便比它的前身可爱得多。

如果不能像电影一样生活，至少可以用电影一样的眼光看生活吧。

网友见面那个太讽刺了把...不过我还是挺喜欢那个帮助接老人的女士的..沉迷于自己的世界..

太好心了，为了一只金鱼超载金鱼的车让它保持稳定速度，可是金鱼还是掉到了马路上。

那个大概4岁的小黑鬼叫他哥对网上的女网民说：我想把排泄物进进出出。

我在她屁眼里排泄，然后她对着我排泄，进入我的屁眼，我们就这样来来回回用同样的排泄物。

他妈逼这么小就这么变态。

还能跟网友聊色情信息，约见面还亲吻了，而对方是个严肃的女工作强人，操。

黑人显性基因太强了，白人父亲和黑人母亲生的是黑人。

女主角自己送上门男主角竟然要她下车，傻呀。

两个刚18的小妞因为宅男胖子意淫纸上说要高瘦的那个小妞给他口交，争辩自己口交更厉害，正好看到同班黑人小伙便要替他口交看看哪个更厉害。

然后还有个小萝莉在窗外偷看，真够走运的，爽死。

然后男主角和女主角一个电话就在一起了。

导演就是女主角，难怪影片这么女性化，很平和

俺们家小刚说这是一部和天使爱美丽差不多的电影，看后不禁失望。

归根到底，小刚是活在现实世界的人，天天抱怨自己没钱没钱，却骑着宝马大摩托。

他的忧郁悲观，也来源于现实世界。

他很实际，有点木讷，对人彬彬有礼，很绅士，绅士到我俩睡一张床一个多星期，什么都没发生。

他真应该去做科学家，很费解他怎么会搞音乐，他有十把吉他。

可我还是喜欢他，并由衷地感谢他，感谢他记得我说的每一句话，我的每个想法他都会帮我落实，在漆黑的楼道里会率先跑过去开灯，每天都一脸严肃地对我说你应该做什么什么，不应该怎样怎样。

照顾得到一切细节，骑摩托时也不忘叫他朋友帮我带副手套。

还很执拗，当我偷看他袋子里有什么的时候他一赌气把袋子拿走了。

这样的人，虽然不能和我一起在精神的海洋中驰骋，却能在现实世界中保驾护航。

可我，毕竟不是这个世界的人，和他在一起我就像个弱智，每天都迷迷糊糊的，人就是有这个劣根性，当遇到一个靠谱的人自己就变得不靠谱了，偷懒嘛。

我决不悲观，每天跟个热气球似的飘啊飘，花花绿绿地生活。

我觉得生活的意义在于超越，而决不在于在为了生活而生活。

当然我也要在现实世界中扎根，吸取养分。

我更欣赏天使爱美丽里面那亮丽的色调，童话世界一般，而不是这个电影里的在晦暗中咀嚼。

我知道我所想只是自己的一厢情愿，一切又都是空中楼阁，一切都无从谈起。

当我面对生活中一堆大事小事麻烦事时，会不会也束手无策？

现实生活的大门向我打开吧，看看我到底是超越平凡化作天边的彩虹还是被撕成一地的碎屑！

如果说我看过的电影中有奇特的作品话，这部应该是其中一部。

一个没有明显主线、主角庞杂、故事平淡的电影竟然能够让我心情浮动、忽而开心忽而失落甚至于笑绝甚至于黯然神伤。

我不明白一部如此委婉而简单的电影竟然能够轻轻松松让人莞尔，笑得既温暖又平静，这部电影是下了魔咒的电影，一定是。

对于这部电影，我没有介绍剧情的必要，但是我忍不住诘问我自己在哪里被吸引，又在哪里被打动（不是感动），或许只是某个小小的表情，或许只是句简单的台词，但是一切都是那么刚刚好，在无心间打入你的心房。

让我开始大笑的那一刻，莫过于小孩子那句“我把大便拉到你屁眼，再拉回来，再来回去，直到永远——”这是句多么肮脏的话，但是孩子的眼睛是清澈而真诚的，即使是这么不堪入耳的话，却让那个“Forfever”结束得那么震撼。

这个小黑小子是个宝物，我佩服他的演技，更羡慕他那颗不着灰尘、单纯的心。

让人愉快的莫过于女主角和男店员的淡淡爱情，没有低俗的暧昧、没有干柴烈火的激情，只是一次次的试探和对话，让一切都那么小心却又美好。

当然，那句“请你下车”也一定伤透了大家的心，有时人心就是这么奇怪，在追逐中较量，在衡量中犹豫，如同那双写着“YOU”和“ME”的鞋子。

但是结尾的团圆并不重要，只是有过这样的煎熬和美好，人生即使残缺又有何遗憾呢？

或许，在许久以后，我已经忘记了这部平淡的小品，但我相信，当我再一次虔诚地观看这部电影时，收获的一定是再一次的温暖，如同那个在钱币敲打中缓缓上升的红日带来的温暖。